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That is so sweet, I think." For some time they talk together, and then the duchess, fearing lest she may be keeping Mrs. Geoffrey from the common amusement of a ballroom, says, gently,— "You have never told me how many people are in your house?" says Mona, presently. "Tell me now. I know about your mother, and," shyly, "about Nicholas; but is there any one else?".
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Conrad
Thus adjured,—though in truth he requires little pressing, having been devoured with a desire since early dawn to reveal the hidden knowledge that is in his bosom,—Geoffrey relates to them the adventure of the night before. Indeed, he gives such a brilliant coloring to the tale that every one is stricken dumb with astonishment, Mona herself perhaps being the most astonished of all. However, like a good wife, she makes no comments, and contradicts his statements not at all, so that (emboldened by her evident determination not to interfere with anything he may choose to say) he gives them such a story as absolutely brings down the house,—metaphorically speaking. Still, Mona is happy: the walk has done her good, and warmed her blood, and brought a color soft and rich as carmine, to her cheeks. She has followed the winding path for about an hour, briskly, and with a sense of bien-etre that only the young and godly can know, when suddenly she becomes aware that some one was following her. "It has been such a charming day," says Violet, at last, in a rather mechanical tone. Yet, in spite of its stiltedness, it breaks the spell of consternation and confusion that has bound the others in its chains, and restores them to speech. "I know that," says Geoffrey, "and the knowledge makes me more happy than I can say. But to Rome you shall go, whatever it may cost. And then we shall return to England to our own home. And then—little rebel that you are—you must begin to look upon yourself as an English subject, and accept the queen as your gracious sovereign.".
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